{"id":40116,"date":"2020-02-17T17:43:34","date_gmt":"2020-02-17T16:43:34","guid":{"rendered":"https:\/\/www.musicalta.com\/?post_type=project&#038;p=40116"},"modified":"2021-04-20T15:28:15","modified_gmt":"2021-04-20T14:28:15","slug":"daniel-ochoa","status":"publish","type":"project","link":"https:\/\/www.musicalta.com\/en\/project\/daniel-ochoa\/","title":{"rendered":"Daniel Ochoa"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.9.2&#8243; _module_preset=&#8221;default&#8221;][et_pb_row admin_label=&#8221;Ligne&#8221; _builder_version=&#8221;3.25&#8243;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.0.7&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_orientation=&#8221;justified&#8221; use_border_color=&#8221;off&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.musicalta.com\/wp-content\/uploads\/2020\/02\/Ochoa-Portrait.jpeg\"><img decoding=\"async\" class=\"wp-image-40093 alignleft size-medium\" src=\"https:\/\/www.musicalta.com\/wp-content\/uploads\/2020\/02\/Ochoa-Portrait-200x300.jpeg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.musicalta.com\/wp-content\/uploads\/2020\/02\/Ochoa-Portrait-200x300.jpeg 200w, https:\/\/www.musicalta.com\/wp-content\/uploads\/2020\/02\/Ochoa-Portrait.jpeg 400w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>Recently hailed by the Austrian press as a \u201cversatile baritone\u201d possessing \u201can upper range that is remarkably flexible and elegant\u201d, Daniel Ochoa has already reaped quite a number of successes. Thus, in 2017\/18, he sang his d\u00e9but at the Tonhalle in D\u00fcsseldorf, in the Herkulessaal in Munich, at the Musikverein in Vienna, and at Salzburg Festival Hall; he covered the roles of Barber of Seville and Count Almaviva at the Vienna Volksoper, and gave guest performances with Anima Eterna in Bruges and Frankfurt. He is also much in demand for CD productions. In late 2017, he released his own version of Schubert\u2019s Winterreise on the Coviello Classics label, and participated in Christoph Spering\u2019s complete recording of the Bach Chorale Cantatas, which was awarded the coveted ECHO Klassik Prize. Concerts in South Africa and in Moscow are foreseen for the 2018\/19 season, as well as appearances at Hamburg State Opera.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As a native of Leipzig, Daniel Ochoa feels a special affinity with the music of Johann Sebastian Bach. Performances of Bach cantatas and passions have led him to appear on a regular basis with the Leipzig St. Thomas Choir, the Gewandhaus Choir, the Dresden Kreuzchor, and a great number of first-rate ensembles and conductors who are particularly fluent in the music of the St. Thomas Cantor and his era \u2013 such as Hansj\u00f6rg Albrecht, Reinhard Goebel, Ludwig G\u00fcttler, Matthew Halls, Helmuth Rilling, and Andreas Spering.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Daniel Ochoa has collaborated with the Leipzig Gewandhaus Orchestra, the Dresden Staatskapelle, the Dresden Philharmonie, the Salzburg Mozarteum Orchestra, the Bach Collegium Stuttgart, the NDR Radio Philharmonic Orchestra, Prague Symphony Orchestra, Budapest RSO, the Evergreen Symphony Orchestra in Taipei, Basel Chamber Orchestra, the Staatskapelle and the Handel Festival Orchestra (both in Halle), the Berlin Lautten Compagney, Leipzig Baroque Orchestra, and Stuttgart Chamber Choir. He has shared the stage with conductors of the likes of Herbert Blomstedt, Marc Piollet, Paul McCreesh, Roderich Kreile, Georg Christoph Biller, Frieder Bernius, Howard Griffiths, and Julia Jones.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">From 2012 to 2017, Daniel Ochoa was a member of the permanent ensemble of soloists at Vienna Volksoper, where he covered important roles for his Fach (voice type), including Barbiere, Don Giovanni, Marcello, Dr. Falke, Count Almaviva, the Count in Lortzing\u2019s Wildsch\u00fctz, and the baritone part in Carmina Burana. During those years at the Volksoper he sang under the stage direction of Brigitte Fassbaender, Achim Freyer, Marco Arturo Marelli, and Rolando Villaz\u00f3n,among others. Further guest engagements led him to perform at Hamburg State Opera, Dresden Semperoper, the theatres in Lucerne, Bonn, Gera\/Altenburg and Flensburg, and the Goethe Theatre in Bad Lauchst\u00e4dt.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As a child, Daniel Ochoa was a member of the Gewandhaus children\u2019s and youth choir. He received his professional vocal training from professors Anthony Baldwin (Rostock Academy of Music), Hans-Joachim Beyer (Leipzig Academy of Music), Thomas Quasthoff (Berlin Academy of Music), and Dietrich Fischer-Dieskau (Berlin University of the Arts).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Daniel Ochoa imparts masterclasses since the summer of 2018, honoring invitations from the Vocal Academy of Lower Austria.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.9.2&#8243; _module_preset=&#8221;default&#8221;][et_pb_column _builder_version=&#8221;4.9.2&#8243; _module_preset=&#8221;default&#8221; type=&#8221;4_4&#8243;][et_pb_button _builder_version=&#8221;4.9.2&#8243; _module_preset=&#8221;default&#8221; button_text=&#8221;Official website of Daniel Ochoa&#8221; button_url=&#8221;https:\/\/daniel-ochoa.de\/en\/biography\/&#8221; url_new_window=&#8221;on&#8221; button_alignment=&#8221;right&#8221; module_class=&#8221;button-prof-offwebsite&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<span class=\"et_bloom_bottom_trigger\"><\/span>","protected":false},"excerpt":{"rendered":"<p>Recently hailed by the Austrian press as a \u201cversatile baritone\u201d possessing \u201can upper range that is remarkably flexible and elegant\u201d, Daniel Ochoa has already reaped quite a number of successes. Thus, in 2017\/18, he sang his d\u00e9but at the Tonhalle in D\u00fcsseldorf, in the Herkulessaal in Munich, at the Musikverein in Vienna, and at Salzburg [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":40095,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[856,722],"project_tag":[499,590],"class_list":["post-40116","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-ete-2021-ang","project_category-ete-2020-en","project_tag-stage-de-chant-en","project_tag-singer"],"_links":{"self":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/40116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/comments?post=40116"}],"version-history":[{"count":6,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/40116\/revisions"}],"predecessor-version":[{"id":223255,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/40116\/revisions\/223255"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/media\/40095"}],"wp:attachment":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/media?parent=40116"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project_category?post=40116"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project_tag?post=40116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}