{"id":32742,"date":"2017-12-07T11:23:24","date_gmt":"2017-12-07T10:23:24","guid":{"rendered":"https:\/\/www.musicalta.com\/?post_type=project&#038;p=32742"},"modified":"2024-11-29T15:35:02","modified_gmt":"2024-11-29T14:35:02","slug":"svetlana-eganian","status":"publish","type":"project","link":"https:\/\/www.musicalta.com\/en\/project\/svetlana-eganian\/","title":{"rendered":"Svetlana Eganian"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;Ligne&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Texte&#8221; _builder_version=&#8221;4.27.2&#8243; header_text_align=&#8221;justify&#8221; module_alignment=&#8221;left&#8221; border_color_all=&#8221;#ffffff&#8221; use_border_color=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><img decoding=\"async\" class=\"size-medium wp-image-32760 alignright\" src=\"https:\/\/www.musicalta.com\/wp-content\/uploads\/2017\/12\/svetlana-eganian-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.musicalta.com\/wp-content\/uploads\/2017\/12\/svetlana-eganian-200x300.jpg 200w, https:\/\/www.musicalta.com\/wp-content\/uploads\/2017\/12\/svetlana-eganian.jpg 400w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><span style=\"font-weight: 400;\">Sveltana Eganian was trained at The Moscow State Tchaikovsky Conservartory by prestigious teachers such as Bella Davidovich (1st prize at the Chopin Competition in Warsaw in 1949!) and Zinaida Ignatieva, disciple of the legendary Samuel Feinberg. She successfully won the four first prizes with distinction (soloist, chamber musician, teacher and accompanist-partner of opera singers) praised by eminent jury members of the Russian school such as Tatiana Nikolaeva, Dmitrii Bashkirov, Evgenii Malinin, Lev Naumov, Serguei Dorenski\u2026 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">She moved to France and teached at Lyon National Superior Conservatory of Dance and Music since september 2022.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the early 90\u2019, she founded a International Summer Piano Academy to unite pianist from all levels and nations.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Svetlana Eganian was Artistic Director of the \u201cAliz\u00e9s\u201d Music Academy in Rabat, Morocco, for several years, and is also active in teaching and performing in Guadeloupe, Marie Galante and Martinique. She has been invited to give masterclasses and act as jury member or president in international piano competitions in France, Belgium, Germany, Lithuania, Russia, Portugal, Ukraine, Italy, Spain&#8230;  <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Svetlana Eganian is President and Artistic Director of the Grand Concours International de Piano created in 1986 and of the Concours International de Piano de Lyon created in 2009.<br \/> She is also President and co-Artistic Director &#8211; with Philippe Raskin &#8211; of the Festival et Concours International de Musique de Paris created in 2018. Svetlana Eganian pursues her concert career, giving concerts with her faithful partners: Mark Drobinsky (cello), Georges Wanis (tenor),<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Fran\u00e7ois Durant (alto), Yolande Kouznetsov (for piano duo repertoire) in France and abroad. She has performed under the baton of Maestros Jean-Luc Balthazar (Belgium), Edward Ambartsumyan (Russia) and Christian Fitzner (Germany).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Her various recordings have been hailed by the press: the CD Grieg, Chopin, Liszt.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201c&#8230; Irreproachable virtuosity and impressive technique, coupled with clarity of vision and great sensitivity, allow her to go deep into the soul of the works&#8230;\u201d.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cEpic when necessary, always lyrical, she knows how to maintain the mystery (&#8230;)\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThe clarity of the plans, the freshness and vitality of the interpretation and the subtlety of the touch are to be listened to (&#8230;)&#8217;\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Michel Le Naour &#8211; \u201cLe monde de la musique&#8221;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201c&#8230; The virtuoso displayed an unusual technique of fluidity and transparency. Her major quality, an exceptional purity of style, allows the too little-known summits such as the Eighth Sonata to attain a seductive power capable of touching less initiated audiences&#8230;\u201d. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Philippe Andriot -Le tout Lyon (recital dedicated to A.Scriabine)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Discography :<\/span><\/p>\n<p><span style=\"font-weight: 400;\">CD E. Grieg, F .Chopin, F .Liszt (1991)<\/span><span style=\"font-weight: 400;\">CD A.Scriabine (live recording 2000)<br \/><\/span><span style=\"font-weight: 400;\">CD \u201cAmore\u201d recorded with Georges Wanis-tenor (September 2009 )<br \/><\/span><span style=\"font-weight: 400;\">CD Piano 4 mains with Yolande Kouznetsov (March 6, 2014)<br \/><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<span class=\"et_bloom_bottom_trigger\"><\/span>","protected":false},"excerpt":{"rendered":"<p>Sveltana Eganian was trained at The Moscow State Tchaikovsky Conservartory by prestigious teachers such as Bella Davidovich (1st prize at the Chopin Competition in Warsaw in 1949!) and Zinaida Ignatieva, disciple of the legendary Samuel Feinberg. She successfully won the four first prizes with distinction (soloist, chamber musician, teacher and accompanist-partner of opera singers) praised [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":32759,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[1307,363,1356,1452,1011,483],"project_tag":[134,240],"class_list":["post-32742","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-ete-2023-ang","project_category-academie-ete-ang","project_category-ete-2024-ang","project_category-ete-2025-ang","project_category-ete-2022-ang-en","project_category-ete-2018-en","project_tag-stage-de-piano-en","project_tag-piano-en"],"_links":{"self":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/32742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/comments?post=32742"}],"version-history":[{"count":29,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/32742\/revisions"}],"predecessor-version":[{"id":243889,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/32742\/revisions\/243889"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/media\/32759"}],"wp:attachment":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/media?parent=32742"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project_category?post=32742"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project_tag?post=32742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}