[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
After winning first prizes in singing under Jules Bastin and Pierre Fleta, mezzo-soprano Christine Solhosse continued her training with leading figures in the world of opera, such as Jane Berbi\u00e9 of the Paris Opera, No\u00eblle Barker, and Rita Gorr. Winner of the International Singing Competition in Paris, she confirmed the excellence of her training at a very early stage.<\/span><\/p>\n A harpist, trained in choir and orchestra conducting, her passion for singing led her to choose a career as an opera singer. She made a remarkable debut at the Op\u00e9ra Royal de Wallonie, where she performed numerous roles in works such as <\/span> L’Enfant et les Sortil\u00e8ges,<\/span><\/i>, <\/span>Louise<\/span><\/i>, <\/span>Les Diables de Loudun<\/span><\/i>, <\/span>L’Italiana in Algeri<\/span><\/i> alongside Ewa Podl\u00e8s<\/span> , <\/span>La Cenerentola<\/span><\/i>, <\/span>Adriana Lecouvreur <\/span><\/i>conducted by Marcello Viotti, With her keen sense of the stage and cheerful disposition, she also excels in the operetta repertoire, brilliantly embodying the great roles of the genre: <\/span>La Belle H\u00e9l\u00e8ne<\/span><\/i>, <\/span>La Grande-Duchesse de G\u00e9rolstein<\/span><\/i>, <\/span>La P\u00e9richole<\/span><\/i>, <\/span>M\u00e9tella<\/span><\/i> in <\/span>La Vie Parisienne<\/span><\/i>, <\/span>Orlofsky<\/span><\/i> in <\/span>Die Fledermaus<\/span><\/i>and <\/span>Mademoiselle Lange<\/span><\/i> in <\/span>La Fille de Madame Angot<\/span><\/i>.<\/span><\/p>\n At the same time, she has performed in concerts throughout Europe, tackling major oratorios and sacred works with equal ease: <\/span>Johannes-Passion<\/span><\/i> and <\/span>Matth\u00e4us-Passion<\/span><\/i> from Bach, <\/span>Mozart’s<\/span><\/i> Requiem and Von Supp\u00e9’s Requiem, Her career has taken her to numerous international stages, where she has successfully performed major works such as <\/span>Cos\u00ec fan tutte,<\/span><\/i>, <\/span>Les Contes d’Hoffmann,<\/span><\/i>, <\/span>Madama Butterfly,<\/span><\/i>, <\/span>L’Heure Espagnole,<\/span><\/i>,<\/span> Rigoletto<\/span><\/i>, <\/span>Arabella<\/span><\/i>, <\/span>Dialogues des Carm\u00e9lites,<\/span><\/i>and <\/span>L\u2019Homme de la Mancha<\/span><\/i> alongside Jos\u00e9 Van Dam.<\/span><\/p>\n She has performed in <\/span>Der Ring des Nibelungen<\/span><\/i> alongside Jean-Philippe Lafont and James Morris, <\/span>Falstaff<\/span><\/i> at the Concertgebouw in Amsterdam, <\/span>Faust <\/span><\/i>in The<\/span> Hague,<\/span>Tha\u00efs, Carmen <\/span><\/i>in Toulon, <\/span>Mefistofele, Jen\u016ffa, Peter Grimes <\/span><\/i>at the Monte Carlo Opera, and more.<\/span><\/p>\n She collaborates with renowned directors \u2013 Martha Domingo, Nicolas Jo\u00ebl, Philippe Sireuil, Jacques Karpo, Friedrich Meyer-Oertel \u2013 and shares the stage with prestigious artists such as Fiorenza Cossotto, Editha Gruberova, Ewa Podle\u015b, Annick Massis, Jos\u00e9 Cura, Florian Laconi, Alain Fondary, under the direction of conductors such as Paul Ethuin, Alain Guingal, Laurent Campellone, and Alberto Zedda.<\/span><\/p>\n Since 2010, Christine Solhosse has been putting her experience at the service of the younger generation as a singing teacher and head of the singing department at the Royal Conservatory of Brussels, where she passionately and rigorously teaches the art of singing and stage performance.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":" After winning first prizes in singing under Jules Bastin and Pierre Fleta, mezzo-soprano Christine Solhosse continued her training with leading figures in the world of opera, such as Jane Berbi\u00e9 of the Paris Opera, No\u00eblle Barker, and Rita Gorr. Winner of the International Singing Competition in Paris, she confirmed the excellence of her training at […]<\/p>\n","protected":false},"author":61,"featured_media":249718,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[1622,363,164],"project_tag":[409,499,1156,1678],"class_list":["post-249575","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-ete-2026-en","project_category-academie-ete-ang","project_category-session-1-chant-en","project_tag-chant-en","project_tag-stage-de-chant-en","project_tag-cours-de-chant-en-2","project_tag-christine-solhosse-en"],"_links":{"self":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/249575","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/comments?post=249575"}],"version-history":[{"count":6,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/249575\/revisions"}],"predecessor-version":[{"id":249583,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/249575\/revisions\/249583"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/media\/249718"}],"wp:attachment":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/media?parent=249575"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project_category?post=249575"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project_tag?post=249575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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<\/span>Der Rosenkavalier<\/span><\/i>, <\/span>La Traviata,<\/span><\/i> Dantons Tod<\/span><\/i>, <\/span>Manon<\/span><\/i> and many others.<\/span><\/p>\n
<\/span>Haydn’s Theresienmesse<\/span><\/i> and <\/span>Nelson Messe<\/span><\/i> , <\/span>Vivaldi’s<\/span><\/i> Gloria, <\/span>Saint-Sa\u00ebns’<\/span><\/i> Christmas Oratorio, <\/span>Mendelssohn’s<\/span><\/i> The Seven Last Words of Christ on the Cross,<\/span>and Paul McCartney’s<\/span><\/i> Liverpool Oratorio, among others.<\/span><\/p>\n