![\"\"](\"https:\/\/www.musicalta.com\/wp-content\/uploads\/2023\/01\/Susann-Vegh-200x300.jpg\")
Mezzo-soprano<\/span><\/p>\nSusann V\u00e9gh was born in Sweden and studied at the Academy of Opera in Stockholm. During her study period she participated in masterclasses with Ingvar Wixell, Elisabeth S\u00f6derstr\u00f6m, Vera Rozsa, Birgit Nilsson, Rudolf Knoll, Talmage Fauntleroy and Jeffrey Goldberg.<\/span><\/p>\n After studies, she got a solid contract at Oper Bonn 1997-2000. Her roles includes Wellgunde and Waltraute in Ring des Niebelungen by Wagner conducted by Marc Soustrot and Wolfgang Ott. She did a fantastic Cherubino in The Wedding of Figaro conducted by Marc Soustrot, H\u00e4nsel in Humperdinks H\u00e4nsel und Gretchen, Dido in Dido och Aeneas, Sonyetka in Lady Macbeth from Mtsensk conducted by Wolang Ott, Mrs Page in Falstaff conducted by Lothar K\u00f6nigs, Artist\/Whore in Mottke der Dieb (newly written) by Berndt Franke, Oyasan 2 in a teknoopera Raw (newly written) by Paulo C. Chagas, Die Stimme in Stimme allein (newly written) by Beat Furrer, Fjodor in Musorgskijs Boris Gudonov, Dorabella in Cosi fan Tutte, Margret in Wozzek.<\/span><\/p>\n In 2000 she became a member of the ensemble of The Royal Swedish Opera. Her roles includes H\u00e4nsel conducted by Gregor B\u00fchl, Second Lady in The magic flute conducted by Siegfrid K\u00f6hler, Main Character in Clara by Hans Gefors conducted by Werner Seitzer, The Fox in Janaceks The Cunning Little Vixen conducted by Hans Drewanz, Charlotte in Werther, Zerlina and Donna Elvira in Don Giovanni, Blumenm\u00e4dchen in Parsifal and Nichlaus in Hoffmans Erz\u00e4hlung, Cherubino in The Marriage of Figaro, Wellgunde in Das Rheingold and G\u00f6tterd\u00e4mmerung, Waltraute in Die Walk\u00fcre, Norne in G\u00f6tterd\u00e4mmerung, Tebaldo in Don Carlos, Farinelli in Castrati (newly written) by Miklos Maros, Carmen in Carmen, The Child in L\u00b4Entfant et les Sortilege, A Musician in Manon Lescaut, Dorabella in Cos\u00ec fan tutte and Mrs Page in Falstaff, Rosina in The Barber of Sevilla, Berci in Andrea Chenier, Mere Marie in Les Dialogue de Karmelit, Dinah in Trouble in Tahiti, The mayor\u00b4s wife in Jenufa, The Angel in Written on skin by George Benjamin conducted by Lawrence Renes, The Nurse in Tristessa (newly written), Flora in La Traviata, Giovanna in Rigoletto, Maria in L\u00f6ftet (newly written) by Mats Larsson Gothe conducted by Alan Gilbert.<\/span><\/p>\n She has also participated as Megacle in L\u00b4Olimpiade by Vivaldi, in Teatro Comunale “Alfonso Rendado”, Cosenza-Italy, as Charlotte in Werther, Wellgunde in Das Rheingold and Auntie in Peter Grimes at The Royal Danish Opera and as Carmen by Bizet at Malm\u00f6 Opera.<\/span><\/p>\n Concerts: Petite Messe Solennelle by Rossini, Requiem by Mozart, Weinachtoratorium by Saint Sa\u00ebns, Weinachtoratorium by Bach, Die erste Walpurgisnacht by Mendelssohn, Orest in The Beautiful Helen by Offenbach, R\u00fcckertlieder by Brahms, Gloria by Vivaldi, Stabat Mater by Pergolesi.<\/span><\/p>\n Susann V\u00e9gh has given private vocal lessons in 2009 and is a very appreciated coach. <\/span><\/p>\n She also gives masterclasses and specialized courses in preparation for auditions and singing competitions. She has special interest in teaching diction, expression, performance and of course the voice. After 25 years of own personal experience of professional work on stage, she now is devoted to give her experience on to upcoming stars.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":" Mezzo-soprano Susann V\u00e9gh was born in Sweden and studied at the Academy of Opera in Stockholm. During her study period she participated in masterclasses with Ingvar Wixell, Elisabeth S\u00f6derstr\u00f6m, Vera Rozsa, Birgit Nilsson, Rudolf Knoll, Talmage Fauntleroy and Jeffrey Goldberg. After studies, she got a solid contract at Oper Bonn 1997-2000. Her roles includes Wellgunde […]<\/p>\n","protected":false},"author":3,"featured_media":237119,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[363],"project_tag":[],"class_list":["post-237121","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-academie-ete-ang"],"_links":{"self":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/237121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/comments?post=237121"}],"version-history":[{"count":5,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/237121\/revisions"}],"predecessor-version":[{"id":237126,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/237121\/revisions\/237126"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/media\/237119"}],"wp:attachment":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/media?parent=237121"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project_category?post=237121"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project_tag?post=237121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}