{"id":236118,"date":"2022-12-12T16:10:56","date_gmt":"2022-12-12T15:10:56","guid":{"rendered":"https:\/\/www.musicalta.com\/project\/mirella-hagen\/"},"modified":"2022-12-12T16:11:04","modified_gmt":"2022-12-12T15:11:04","slug":"mirella-hagen","status":"publish","type":"project","link":"https:\/\/www.musicalta.com\/en\/project\/mirella-hagen\/","title":{"rendered":"Mirella Hagen"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; theme_builder_area=&#8221;post_content&#8221; _builder_version=&#8221;4.19.1&#8243; _module_preset=&#8221;default&#8221;][et_pb_row _builder_version=&#8221;4.19.1&#8243; _module_preset=&#8221;default&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column _builder_version=&#8221;4.19.1&#8243; _module_preset=&#8221;default&#8221; type=&#8221;4_4&#8243; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.19.1&#8243; _module_preset=&#8221;default&#8221; theme_builder_area=&#8221;post_content&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><img decoding=\"async\" class=\"wp-image-236115 size-medium alignright\" src=\"https:\/\/www.musicalta.com\/wp-content\/uploads\/2022\/12\/Mirella-Hagen-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.musicalta.com\/wp-content\/uploads\/2022\/12\/Mirella-Hagen-200x300.jpg 200w, https:\/\/www.musicalta.com\/wp-content\/uploads\/2022\/12\/Mirella-Hagen.jpg 400w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/>Soprano<\/p>\n<p>German soprano Mirella Hagen started her path on stage as a young artist with the Staatsoper Stuttgart, where she worked with conductors like Manfred Honeck and Marc Soustrot, singing \u00c4nnchen (Der Freisch\u00fctz), Anna Kennedy (Maria Stuarda) and Blumenm\u00e4dchen (Parsifal).<\/p>\n<p>After years of experience singing in the ensembles of Theater Regensburg, Opera Vlaanderen, Oper Dortmund and Staatstheater Braunschweig, (Gretel, Valencienne, Pamina, Gilda, Norina, Eliza Doolittle), she began her freelance career with a wide repertoire.<\/p>\n<p>In recent seasons, Mirella has appeared at Theater an der Wien (Helena, Morgana, Waldvogel, Woglinde), Semperoper Dresden (Pamina, Gretel), Bayerische Staatsoper (Waldvogel), Staatsoper Stuttgart (Pamina), Grand Th\u00e9\u00e2tre Gen\u00e8ve (Waldvogel), Op\u00e9ra National de Lyon (Ciboletta), Landestheater Detmold (Susanna), Komische Oper Berlin (\u0160irin), Oper Graz (Hanne \u2013 Jahreszeiten). With Kirill Petrenko she appeared at the Bayreuther Festspiele in the Ring-Cycle, staged by Frank Castorf as Woglinde and Waldvogel each year from 2013 \u2013 2015. <br \/>She made her debut at Elbphilharmonie shortly after its opening with Rheingold (Woglinde) under Marek Janowski and the NDR Symphony Orchestra. With Sir Simon Rattle she interpreted the Rheingold Woglinde with the BR Symphonieorchester. The performance is published on BR Klassik.<\/p>\n<p>She has worked extensively with conductor Helmuth Rilling, singing various Bach Cantatas and the \u201eExsultate, Jubilate\u201c in Seoul (Korea) and Milano (Italy) and the C-Minor Mass of Mozart. With Ren\u00e9 Jacobs she worked on pieces like Falstaff (Salieri), Il ritorno d\u2019Ulisse in Patria (Monteverdi), Le nozze di Figaro (Mozart) and Orpheus (Telemann).<\/p>\n<p>She has collaborated with orchestras such as the Budapest Festival Orchestra, SWR Symphonieorchester, Symphonieorchester des Bayerischen Rundfunks, Freiburger Barockorchester, with the Akademie fu\u0308r Alte Musik Berlin, the Internationale Bachakademie Stuttgart, Concentus Musicus Wien and Belgium\u2019s B\u2019Rock.<\/p>\n<p>Concert appearances include the most known places like Concertgebouw Amsterdam, Wiener Konzerthaus, Elbphilharmonie Hamburg, Gasteig M\u00fcnchen, K\u00f6lner Philharmonie, Baden-Baden Festspielhaus, Liceu Barcelona, Bozar Brussels, Konzerthaus Berlin, Tonhalle Z\u00fcrich Seoul Arts Center, Tonhalle Z\u00fcrich, Teatro Olimpico and others. She works with the finest conductors in the world, including Iv\u00e1n Fischer, Kirill Petrenko, Sir Simon Rattle, Ren\u00e9 Jacobs, Antonello Manacorda and V\u00e1clav Luks.<\/p>\n<p>During the pandemic period she was invited to sing concerts broadcasted by Deutschlandradio Kultur and recorded various pieces like the Italian Songbook by Hugo Wolf. Since she finished her studies with Prof. Ulrike Sonntag in Stuttgart she is also singing many recitals like at the Villa Wahnfried Richard-Wagner-Museum Bayreuth and the International Hugo-Wolf-Academy Stuttgart.<\/p>\n<p>Currently Mirella Hagen is teaching at the Musikhochschule W\u00fcrzburg.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<span class=\"et_bloom_bottom_trigger\"><\/span>","protected":false},"excerpt":{"rendered":"<p>Soprano German soprano Mirella Hagen started her path on stage as a young artist with the Staatsoper Stuttgart, where she worked with conductors like Manfred Honeck and Marc Soustrot, singing \u00c4nnchen (Der Freisch\u00fctz), Anna Kennedy (Maria Stuarda) and Blumenm\u00e4dchen (Parsifal). After years of experience singing in the ensembles of Theater Regensburg, Opera Vlaanderen, Oper Dortmund [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":236114,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[1307,363],"project_tag":[409],"class_list":["post-236118","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-ete-2023-ang","project_category-academie-ete-ang","project_tag-chant-en"],"_links":{"self":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/236118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/comments?post=236118"}],"version-history":[{"count":5,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/236118\/revisions"}],"predecessor-version":[{"id":236123,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project\/236118\/revisions\/236123"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/media\/236114"}],"wp:attachment":[{"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/media?parent=236118"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project_category?post=236118"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.musicalta.com\/en\/wp-json\/wp\/v2\/project_tag?post=236118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}