Born in Normandy, son of painters and teachers, Gery Moutier begins the piano at the age of four. He is remarked by Tasso Janopoulos, partner of Jacques Thibaud, and plays at the age of eleven in the Salle Pleyel, in the theatre of the Champs-Elysées, with the national orchestra of Ile-de-France then with the national orchestra of France.

At the age of thirteen, Géry Moutier continues his formation at the conservatoire national supérieur de musique de Paris in a sensitive and complete course (piano, chamber music, harmonize, counterpoint) with Lucette Descaves, Jean Hubeau and Pierre Sancan, then receives, after his first prices, perfection lessons with Aldo Ciccolini, György Sebok, Paul Badura-Skoda and Dimitri Bashkirov. Laureate of the international competition of Cleveland, Barcelona, and Price Marguerite Long, he became, the day of his nineteen years old, interpret-soloist in Radio-France.

His repertory is singularly large and his concerts, with orchestra, in chamber music or in recital, led him to Rome, Prague, Minsk, Moscow, London, Budapest, Vienna, Saarbrucken, and Montreal. Gery Moutier played on stage with Olivier Charlier, Raphaël Oleg, Henryk Szeryng, Gerard Jarry, Amy Flammer, Roland Daugareil, Laurent Korcia, Pierre Amoyal, Tasso Adamopoulos, Bruno Pasquier, Gary Hoffman, Roland Pidoux, Alain Meunier, Guy Deplus, Capezzali Jean-Louis, Jacques Di Donato, Helene Devilleneuve, Alain Marion, the Rosamonde and Ludwig quartets.

His passion to share the music can't be devided from his research and teaching activity. Gery Moutier was assistant professor to the conservatoire national supérieur de musique de Paris during eleven years, including eight assisting Aldo Ciccolini, and three near Bruno Rigutto then, full professor (in Reims during 10 years, and the conservatoire notional de région de Paris), and director of establishment (conservatoire de Maison-Alfort). Named in 1997, head of a piano class to the conservatoire national supérieur de musique de Lyon and in charge of the keyboard department since 1999, he is regularly invited to teach in academies and foreign schools (Vienna, Montreal, Budapest, Nancy), and many young artists of today profited from his councils.