Born in Normandy, son of painters and teachers, Gery Moutier begins the piano at the age of four. He is remarked by Tasso Janopoulos, partner of Jacques Thibaud, and plays at the age of eleven in the Paris « Salle Pleyel », in the « Champs-Elysées » theater, with the National Ile-de-France Orchestra and the France National Orchestra.

At the age of thirteen, Géry Moutier continues his formation at Paris CNSMD - Conservatoire National Supérieur de Musique et de Danse - studying piano, chamber music and harmony with Lucette Descaves, Jean Hubeau and Pierre Sancan.

He obtains his First prizes and then decides to continue studying in improvement cycle with Aldo Ciccolini, György Sebok, Paul Badura-Skoda and Dimitri Bashkirov.

Winner of Laureate of the international competition of Cleveland, Barcelona, and Price Marguerite Long, he became, the day of his nineteen years old, interpret-soloist in Radio-France.

His repertory is singularly large and his concerts, with orchestra, in chamber music or in recital, led him to Rome, Prague, Minsk, Moscow, London, Budapest, Vienna, Saarbrucken, and Montreal. Gery Moutier played on stage with Olivier Charlier, Raphaël Oleg, Henryk Szeryng, Gerard Jarry, Amy Flammer, Roland Daugareil, Laurent Korcia, Pierre Amoyal, Tasso Adamopoulos, Bruno Pasquier, Gary Hoffman, Roland Pidoux, Alain Meunier, Guy Deplus, Capezzali Jean-Louis, Jacques Di Donato, Helene Devilleneuve, Alain Marion, the Rosamonde and Ludwig quartets.

His passion to share the music can't be devided from his research and teaching activity. Gery Moutier was assistant professor to the Paris CNSMD during eleven years, including eight assisting Aldo Ciccolini, and three near Bruno Rigutto then, full professor (in Reims during 10 years, and the conservatoire notional de région de Paris), and director of establishment (conservatoire de Maison-Alfort). Named in 1997, head of a piano class to the Lyon CNSMD and in charge of the keyboard department since 1999, he is regularly invited to teach in academies and foreign schools (Vienna, Montreal, Budapest, Nancy), and many young artists of today profited from his advices.